{"id":934,"date":"2023-04-03T14:03:00","date_gmt":"2023-04-03T14:03:00","guid":{"rendered":"https:\/\/www.guillerminabustos.net\/sitio\/?page_id=934"},"modified":"2025-10-23T00:15:40","modified_gmt":"2025-10-23T00:15:40","slug":"s-t-cartel-2014","status":"publish","type":"page","link":"https:\/\/www.guillerminabustos.net\/sitio\/s-t-cartel-2014\/","title":{"rendered":"arte popular – 2014 \/ 2023"},"content":{"rendered":"\n

7 carteles por encargo. tinta indeleble sobre cart\u00f3n.
6 carteles 66x96cm + 1 cartel sobre caballete – medidas variables
Investigaci\u00f3n comparativa sobre educaci\u00f3n superior en arte en Argentina, Brasil y Chile.

– 1er encargo a Jos\u00e9 Alejandro Mandores Carrera – de Carteler\u00eda Mardones [mercado la Vega Central, Santiago].
– 2do encargo a Jailson Pires Bispo – de Dynamycavisual [Guarulhos, S\u00e3o Paulo].<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Este trabajo fue realizado mientras cursaba la Maestr\u00eda en la Universidad de Chile. Encargue este cartel con la informaci\u00f3n de los precios de los estudios que estaba realizando y luego lo instal\u00e9 en la Facultad de Artes, Universidad de Chile, sede Las Encinas, Campus Juan G\u00f3mez Millas.<\/p>\n\n\n\n

As\u00ed se pon\u00eda en tensi\u00f3n el car\u00e1cter p\u00fablico de una de las Universidades m\u00e1s prestigiosas del pa\u00eds, en relaci\u00f3n a los precios alt\u00edsimos que cobran para estudiar.

Este trabajo comenz\u00f3 como una preocupaci\u00f3n por la pintura utilitaria, y llev\u00f3 a la apertura de un debate sobre los altos costos de la educaci\u00f3n p\u00fablica en artes en Chile.
En una segunda instancia proponemos una actualizaci\u00f3n y una propuesta para comparar las caracter\u00edsticas y limitaciones de la educaci\u00f3n superior en artes en diferentes partes de Am\u00e9rica Latina. Por esta raz\u00f3n se presenta la informaci\u00f3n comparativa sobre Chile (2014 y 2023) y se recopila informaci\u00f3n sobre las universidades de arte m\u00e1s prestigiosas de la ciudad de S\u00e3o Pablo (Brasil) -p\u00fablicas y privadas-, adem\u00e1s de aportar informaci\u00f3n sobre la educaci\u00f3n art\u00edstica en s\u00ed y sus caracter\u00edsticas tradicionales, en mi ciudad natal, C\u00f3rdoba, Argentina.

\/\/\/<\/p>\n\n\n\n

La versi\u00f3n sobre Chile <\/strong>fue exhibido en Banco Negro en el contexto de la 1era exhibici\u00f3n del Magister en Artes, menci\u00f3n Artes Visuales de la Universidad de Chile, corte 2014\/2015. Santiago de Chile, Chile. 2014.
Este trabajo fue incluido en la Publicaci\u00f3n Nuevo Oro, del Colctivo.CO <\/a>(Colombia), que recopila obras sobre diversas situaciones pol\u00edticas en Am\u00e9rica Latina.
Tambi\u00e9n fue inclu\u00edda en el ciclo de podcast Lingotes de Oro, en el cap\u00edtulo \u00abLa viralidad de lo injusto\u00bb, coordinado por Colectivo.Co y La Mula (Colombia).

Durante el 2020 la obra es apropiada y convertida en meme, siendo publicada en diferentes cuentas masivas de redes sociales en Am\u00e9rica Latina. <\/p>\n\n\n\n

Forma parte de una colecci\u00f3n privada en Chile. 

\/\/\/

La versi\u00f3n sobre Brasil<\/strong> fue exhibida en la exposci\u00f3n colectiva G.A.F. S\/Demandas. En Massap\u00ea Projetos, S\u00e3o Paulo, Brasil. Curadoria de Talita Trizoli. Marzo 2023.
Tambi\u00e9n fue seleccionado en el 51a Salon de Arte Contempor\u00e1neo Luiz Sacilotto – Santo Andr\u00e9, S\u00e3o Paulo. Brasil. Exhibido en el Sal\u00e3o de Exposi\u00e7\u00f5es do Pa\u00e7o Municipal de Santo Andr\u00e9.<\/p>\n\n\n\n

>>> descarga el fazine 2023 <<<<\/strong><\/a>

**english below** **portugu\u00eas embaixo**
<\/em><\/strong><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

<\/p>\n\n\n\n

\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n


[PORTUGU\u00caS]

Arte Popular – 2014 \/ 2023<\/strong><\/p>\n\n\n\n

7 p\u00f4steres sob encomenda. tinta indel\u00e9vel sobre papel\u00e3o.
6 p\u00f4steres 66x96cm + 1 p\u00f4ster em cavalete – tamanhos vari\u00e1veis.
Pesquisa comparativa sobre educa\u00e7\u00e3o superior em arte na Argentina, Brasil e Chile.<\/p>\n\n\n\n

– 1\u00aa encomenda para Jos\u00e9 Alejandro Mandores Carrera – de Carteler\u00eda Mardones [mercado la Vega Central, Santiago].
– 2\u00aa encomenda a Jailson Pires Bispo – da Dynamycavisual [Guarulhos, S\u00e3o Paulo].<\/p>\n\n\n\n

Esse trabalho foi feito enquanto eu estava fazendo mestrado na Universidade do Chile. Encomendei esse p\u00f4ster com informa\u00e7\u00f5es sobre os pre\u00e7os dos estudos que estava fazendo e depois o instalei na Faculdade de Artes da Universidade do Chile, Las Encinas, Campus Juan G\u00f3mez Millas.<\/p>\n\n\n\n

Dessa forma, o car\u00e1ter p\u00fablico de uma das universidades mais prestigiadas do pa\u00eds foi colocado em tens\u00e3o com os pre\u00e7os alt\u00edssimos que eles cobram para estudar.<\/p>\n\n\n\n

Esse trabalho come\u00e7ou como uma preocupa\u00e7\u00e3o com a pintura utilit\u00e1ria e levou \u00e0 abertura de um debate sobre os altos custos da educa\u00e7\u00e3o p\u00fablica nas artes no Chile.<\/p>\n\n\n\n

Em um segundo momento, propomos uma atualiza\u00e7\u00e3o e uma proposta para comparar as caracter\u00edsticas e limita\u00e7\u00f5es do ensino superior em artes em diferentes partes da Am\u00e9rica Latina. Por esse motivo, apresentamos informa\u00e7\u00f5es comparativas sobre o Chile (2014 e 2023) e compilamos informa\u00e7\u00f5es sobre as universidades de arte de maior prest\u00edgio na cidade de S\u00e3o Paulo (Brasil) – p\u00fablicas e privadas -, al\u00e9m de fornecer informa\u00e7\u00f5es sobre a pr\u00f3pria educa\u00e7\u00e3o art\u00edstica e suas caracter\u00edsticas tradicionais, em minha cidade natal, C\u00f3rdoba, Argentina.<\/p>\n\n\n\n

\/\/\/<\/p>\n\n\n\n

A vers\u00e3o sobre o Chile <\/strong>foi exibida no Banco Negro no contexto da 1\u00aa exposi\u00e7\u00e3o do Magister en Artes, men\u00e7\u00e3o em Artes Visuais da Universidad de Chile, 2014\/2015. Santiago do Chile, Chile. 2014.<\/p>\n\n\n\n

Esse trabalho foi inclu\u00eddo na publica\u00e7\u00e3o Nuevo Oro, do Colectivo.CO <\/a>(Col\u00f4mbia), que compila trabalhos sobre diversas situa\u00e7\u00f5es pol\u00edticas na Am\u00e9rica Latina.<\/p>\n\n\n\n

Tamb\u00e9m foi inclu\u00eddo na s\u00e9rie de podcasts Lingotes de Oro, no cap\u00edtulo \u00abLa viralidad de lo injusto\u00bb, coordenado por Colectivo.Co e La Mula (Col\u00f4mbia).<\/p>\n\n\n\n

Em 2020, a obra foi apropriada e transformada em meme, sendo publicada em diferentes contas de redes sociais massivas na Am\u00e9rica Latina.<\/p>\n\n\n\n

Ela faz parte de uma cole\u00e7\u00e3o particular no Chile.<\/p>\n\n\n\n

\/\/\/<\/p>\n\n\n\n

A vers\u00e3o brasileira<\/strong> foi exibida na exposi\u00e7\u00e3o coletiva G.A.F. S\/Demandas. Na Massap\u00ea Projetos, S\u00e3o Paulo, Brasil. Com curadoria de Talita Trizoli. Mar\u00e7o de 2023.<\/p>\n\n\n\n

Tamb\u00e9m foi selecionada para o 51\u00ba Sal\u00e3o de Arte Contempor\u00e2nea Luiz Sacilotto – Santo Andr\u00e9, S\u00e3o Paulo. Brasil. Exposta no Sal\u00e3o de Exposi\u00e7\u00f5es do Pa\u00e7o Municipal de Santo Andr\u00e9.<\/p>\n\n\n\n

>>> download da fazine 2023 <<<<\/strong><\/a>

\/\/\/

[ENGLISH]

Popular Art – 2014 \/ 2023<\/p>\n\n\n\n

7 posters to order. indelible ink on cardboard.
6 posters 66x96cm + 1 poster on easel – variable sizes.
Comparative research on higher education in art in Argentina, Brazil and Chile.<\/p>\n\n\n\n

– 1st commission to Jos\u00e9 Alejandro Mandores Carrera – de Carteler\u00eda Mardones [mercado la Vega Central, Santiago].
– 2nd commission to Jailson Pires Bispo – from Dynamycavisual [Guarulhos, S\u00e3o Paulo].<\/p>\n\n\n\n

This work was done while I was studying for a Master’s degree at the University of Chile. I commissioned this poster with information about the prices of the studies I was doing and then I installed it in the Faculty of Arts, Universidad de Chile, Las Encinas, Campus Juan G\u00f3mez Millas.<\/p>\n\n\n\n

In this way, the public character of one of the most prestigious universities in the country was put in tension with the very high prices they charge to study.<\/p>\n\n\n\n

This work began as a concern for utilitarian painting, and led to the opening of a debate on the high costs of public education in the arts in Chile.<\/p>\n\n\n\n

In a second instance we propose an update and a proposal to compare the characteristics and limitations of higher education in the arts in different parts of Latin America. For this reason we present comparative information on Chile (2014 and 2023) and compile information on the most prestigious art universities in the city of S\u00e3o Paulo (Brazil) -public and private-, as well as providing information on arts education itself and its traditional characteristics, in my hometown, C\u00f3rdoba, Argentina.<\/p>\n\n\n\n

\/\/\/<\/p>\n\n\n\n

The version about Chile <\/strong>was exhibited in Banco Negro in the context of the 1st exhibition of the Magister en Artes, mention in Visual Arts of the Universidad de Chile, 2014\/2015. Santiago de Chile, Chile. 2014.<\/p>\n\n\n\n

This work was included in the publication Nuevo Oro, by Colectivo.CO <\/a>(Colombia), which compiles works on various political situations in Latin America.<\/p>\n\n\n\n

It was also included in the podcast series Lingotes de Oro, in the chapter \u00abLa viralidad de lo injusto\u00bb, coordinated by Colectivo.Co and La Mula (Colombia).<\/p>\n\n\n\n

During 2020, the work was appropriated and turned into a meme, being published in different massive social network accounts in Latin America.<\/p>\n\n\n\n

It is part of a private collection in Chile.<\/p>\n\n\n\n

\/\/\/<\/p>\n\n\n\n

The Brazilian<\/strong> version was exhibited in the group exhibition G.A.F. S\/Demandas. At Massap\u00ea Projetos, S\u00e3o Paulo, Brazil. Curated by Talita Trizoli. March 2023.<\/p>\n\n\n\n

It was also selected for the 51st Salon de Arte Contempor\u00e1neo Luiz Sacilotto – Santo Andr\u00e9, S\u00e3o Paulo. Brazil. Exhibited at the Sal\u00e3o de Exposi\u00e7\u00f5es do Pa\u00e7o Municipal de Santo Andr\u00e9.<\/p>\n\n\n\n

>>> download the fazine 2023 <<<<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

7 carteles por encargo. tinta indeleble sobre cart\u00f3n.6 carteles 66x96cm + 1 cartel sobre caballete – medidas variablesInvestigaci\u00f3n comparativa sobre educaci\u00f3n superior en arte en Argentina, Brasil y Chile. – 1er encargo a Jos\u00e9 Alejandro Mandores Carrera – de Carteler\u00eda Mardones [mercado la Vega Central, Santiago].– 2do encargo a Jailson Pires Bispo – de Dynamycavisual […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"class_list":["post-934","page","type-page","status-publish","hentry","missing-thumbnail"],"_links":{"self":[{"href":"https:\/\/www.guillerminabustos.net\/sitio\/wp-json\/wp\/v2\/pages\/934","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.guillerminabustos.net\/sitio\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.guillerminabustos.net\/sitio\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.guillerminabustos.net\/sitio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.guillerminabustos.net\/sitio\/wp-json\/wp\/v2\/comments?post=934"}],"version-history":[{"count":9,"href":"https:\/\/www.guillerminabustos.net\/sitio\/wp-json\/wp\/v2\/pages\/934\/revisions"}],"predecessor-version":[{"id":1452,"href":"https:\/\/www.guillerminabustos.net\/sitio\/wp-json\/wp\/v2\/pages\/934\/revisions\/1452"}],"wp:attachment":[{"href":"https:\/\/www.guillerminabustos.net\/sitio\/wp-json\/wp\/v2\/media?parent=934"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}