Guillermina Bustos.<\/p>\n\n\n\n
(born in C\u00f3rdoba, Argentina, 1988) Based in Paulo, Brazil.<\/p>\n\n\n\n
Artist and art researcher. Pansexual and non-monogamous.
She has practiced forms of activism on fair labour rights in art at Trabajadores de Arte, and on LGBTQ+ and migrant rights at Rede de Mulheres Migrantes L\u00e9sbicas, Bissexuais e Panssexuias de S\u00e3o Paulo (MILBI+).<\/p>\n\n\n\n
[statement] Her work is considered a research methodology about the orders of culture, to open the discussion within the art system, with practices tangentially located in its limits.
He makes interventions of spaces and everyday objects through graphic design, drawing, painting, video and performance. In her latest works she tries to open a debate on the stereotyped forms of affective and labour relations.<\/p>\n\n\n\n
She holds a Master’s Degree in Arts, Visual Arts, from the University of Chile. She holds a degree in Art from the Universidad Nacional de C\u00f3rdoba, Argentina. She has been awarded grants and prizes for research in the arts.<\/p>\n\n\n\n
She has had more than 40 exhibitions in different countries such as Argentina, Chile, Brazil, Mexico and Colombia; individual, group and collective exhibitions.
He has participated in international residencies at the 15th Bienal de la Habana, San Antonio de los Ba\u00f1os, Cuba; in Spain as R.A.R.O in Barcelona; and Ecuador as Al zur-ich in Quito, and Curator\u00eda Forense in Guayaquil.
She has published and participated in the editing and writing of 3 books on contemporary art in relation to the community, and 2 books on the economics of art, as well as several articles linking his research with his production as an artist.<\/p>\n\n\n\n
Her management has included the organisation and coordination of residencies, meetings, courses, conferences and seminars in Argentina, Chile, Brazil, Ecuador, Scotland, United States, Spain, Italy, Holland, Mexico, Peru and Uruguay.<\/p>\n\n\n\n
Between 2021 and 2022 she was part of the Colectivo Vozes Agudas, focused on art, gender and feminisms; and she is currently part of G.A.F. – a feminist accompaniment group, coordinated by Talita Trizoli, both in S\u00e3o Paulo, Brazil.<\/p>\n\n\n\n
His work as an artist is part of private collections in Argentina, Chile, Cuba, Croatia, Brazil, Ecuador, Mexico and Peru; and public collections in Argentina.<\/p>\n\n\n\n
ARTISTIC PRODUCTION<\/strong><\/p>\n\n\n\n Individual exhibitions<\/strong><\/p>\n\n\n\n > (2015) Amo Usado. The Expendedur\u00eda. Curator: Jorge Sep\u00falveda T .. San Miguel de Allende, Mexico. Co-authorship Exhibitions <\/strong>(as an art collective)<\/p>\n\n\n\n >(2014) Piscina.<\/em> I work together with Felipe Rivas, Ricardo Villaroel, Marcela Serra, Tom\u00e1s Quezada and Jaime Catal\u00e1n. Pool University of Chile. Santiago de Chile. Collective exhibitions (biennials, festivals, curated, salons, etc.)<\/strong><\/p>\n\n\n\n >(2024) Imaginarios en uso. Bananal arte y cultura. S\u00e3o Paulo, Brasil.<\/p>\n\n\n\n >(2024) Artes Dissidentes. Curadoria Dri Galuppo. Museo de la Diversidad Sexual. S\u00e3o Paulo, Brasil. Residencies<\/strong><\/p>\n\n\n\n > (2024) Punto Naranja. 15va Havana Bienal. San Antonio de los Ba\u00f1os, Cuba. Curatorship<\/strong><\/p>\n\n\n\n >(2016) El nombre de lo que escapa<\/em>. Lorraine Green project. Rada Tilly Cultural Center. Co-curator with Jorge Sep\u00falveda T .. Rada Tilly, Argentina. Awards, Mentions and Scholarships<\/strong><\/p>\n\n\n\n >(2022) Fondart Regional – Los R\u00edos, Chile. Publicaci\u00f3n del Libro Trayectoria desde los R\u00edos.<\/em> Between 2011 and 2015 I coordinated the Contemporary Landscape Enconter in Santa Mar\u00eda de Punilla, Argentina. Between 2012 and 2016 she was a member of the board of the Fundaci\u00f3n Cultura Confines, dedicated to the management and education of contemporary art in rural localities. In 2013 she was Secretary of Culture, Education and Press of the Municipality of Santa Mar\u00eda de Punilla, Argentina.<\/p>\n\n\n\n In 2015 I worked as a researcher at the Visual Arts Documentation Center<\/em> (CeDoc) of the La Moneda Cultural Center, Santiago de Chile, Chile.<\/p>\n\n\n\n Since January 2015 she has been working on contemporary art research, training and residencies initiatives: Curator\u00eda Forense – Latinoam\u00e9rica<\/em>; Cooperativa de Arte, Uberbau_house<\/em> (S\u00e3o Paulo, Brazil) and VADB – Latin American art community.<\/em><\/p>\n\n\n\n He also works in the team of Editorial Curator\u00eda Forense<\/em>; in the organization of Meetings of Autonomous Art Managemen<\/em>t; and in the residency of art and social processes in rural localities SOCIAL SUMMER CAMP<\/em> (Chile), OBRA P\u00daBLICA<\/em> (Chile), and COMMUNITARIA<\/em> (Argentina).<\/p>\n\n\n\n At the same time, it coordinates the following initiatives: Art workers, Census of Contemporary Latin American Art, and Autonomous Management Network<\/em><\/p>\n","protected":false},"excerpt":{"rendered":" Guillermina Bustos. (born in C\u00f3rdoba, Argentina, 1988) Based in Paulo, Brazil. Artist and art researcher. Pansexual and non-monogamous.She has practiced forms of activism on fair labour rights in art at Trabajadores de Arte, and on LGBTQ+ and migrant rights at Rede de Mulheres Migrantes L\u00e9sbicas, Bissexuais e Panssexuias de S\u00e3o Paulo (MILBI+). [statement] Her work […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":8,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"class_list":["post-762","page","type-page","status-publish","hentry","missing-thumbnail"],"_links":{"self":[{"href":"https:\/\/www.guillerminabustos.net\/sitio\/wp-json\/wp\/v2\/pages\/762","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.guillerminabustos.net\/sitio\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.guillerminabustos.net\/sitio\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.guillerminabustos.net\/sitio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.guillerminabustos.net\/sitio\/wp-json\/wp\/v2\/comments?post=762"}],"version-history":[{"count":10,"href":"https:\/\/www.guillerminabustos.net\/sitio\/wp-json\/wp\/v2\/pages\/762\/revisions"}],"predecessor-version":[{"id":1702,"href":"https:\/\/www.guillerminabustos.net\/sitio\/wp-json\/wp\/v2\/pages\/762\/revisions\/1702"}],"up":[{"embeddable":true,"href":"https:\/\/www.guillerminabustos.net\/sitio\/wp-json\/wp\/v2\/pages\/8"}],"wp:attachment":[{"href":"https:\/\/www.guillerminabustos.net\/sitio\/wp-json\/wp\/v2\/media?parent=762"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
>(2012) (neo) modalidades anal\u00edtico-pict\u00f3ricas<\/em>. Curator advice Carina Cagnolo and Alejandra Peri\u00e9. Center for Production and Research in Arts (CePIA). C\u00f3rdoba Argentina.
>(2009) Registros Cronot\u00f3picos<\/em>. Center for Production and Research in Arts (CePIA). C\u00f3rdoba Argentina.<\/p>\n\n\n\n
>(2013) Personal de Futiler\u00eda<\/em>, as a member of the homonymous collective together with Cecilia Flores Aracena. La C\u00fapula – Art Gallery – Media Lab. C\u00f3rdoba, Argentina.
>(2012) Progetto Umidit\u00e0 4.0, Authenticity and topicality in art<\/em>. Selection of the 2012 CePIA Open Call for the Arts Production and Research Center (CePIA). C\u00f3rdoba Argentina.
>(2009) \u00bfAca sohub o buhos aca?<\/em>, subsoil of the Argentine Pavilion. Secretary of University Extension (SEU). C\u00f3rdoba Argentina.<\/p>\n\n\n\n
>(2024) 51\u00ba Sal\u00e3o de Arte Contempor\u00e2nea Luiz Sacilotto. Santo Andr\u00e9, Brasil.
>(2023) O grande Circo do Patriarcado. Curador\u00eda Talita Trizoli. Canteiro. S\u00e3o Paulo, Brasil.
>(2023) G.A.F. S\/Demandas. Curador\u00eda Talita Trizoi. Massap\u00ea Projetos. S\u00e3o Paulo, Brasil.
>(2023) O DIREITO AO FUTURO. Ateli\u00ea 397. S\u00e3o Paulo, Brasil.
>(2022) ESTAMOS AQU\u00cd. Curador\u00eda Thais Rivitti. Sesc Pinheiros. S\u00e3o Paulo, Brasil.
>(2021) Amarra\u00e7\u00e3o. Curador\u00eda Khadyg Fares. Ateli\u00ea 397. S\u00e3o Paulo, Brasil.
>(2020) CURSIS, ANAL\u00cdTICOS Y MELODRAM\u00c1TICOS.<\/em> New Art Festival. Chihuahua, Mexico.
>(2019) Amigo secreto.<\/em> Tomie Ohtake Institute. S\u00e3o Paulo, Brazil.
>(2019) Abra\u00e7o coletivo<\/em>. Curator Paula Borghi. Ateli\u00ea 397. S\u00e3o Paulo, Brazil.
>(2018) Canto de Sirenas<\/em>. Curator of Cristian Silva. Temporary Gallery. Santiago de Chile, Chile.
>(2016) Para que no nos pillen por sorpresa<\/em>. Gallery D21. Santiago de Chile, Chile.
>(2016)No es cualquier verdura<\/em>. Ephemeral Galleries Cycle. Coordination Eva Ana Finquelstein. Cordoba Argentina.
>(2015) Repliegue, Cycle of performance<\/em>. Recursos P\u00fablicos. Curic\u00f3, Chile.
>(2015) Atelier Populaire<\/em>. Curator Sebasti\u00e1n Valenzuela Valdivia. French Institute, Santiago de Chile, Chile.
>(2015) Un paisaje silencioso. <\/em>CCU Visual Arts Room. Santiago de Chile, Chile.
>(2014) Posibles nombres.<\/em> Black Bank. Santiago de Chile, Chile.
>(2014) Angosta franja de tierra. <\/em>Juan Egenau Room, Faculty of Arts, University of Chile. Santiago de Chile.
>(2013) Quilicura Project.<\/em> Curator Marta Hern\u00e1ndez Parraguez. Quilicura Cultural Center. Santiago de Chile, Chile.
>(2013) 4th Hall Plaza de Almas.<\/em> Tucum\u00e1n, Argentina.
>(2013) <\/em><\/strong>Casa Tomada.<\/em> Curatorship Carolina Olmedo Carrasco, Cecilia Flores Aracena, and Marta Hern\u00e1ndez Parraguez. Intervention in residence to be demolished. Santiago de Chile, Chile.
>(2012) Opciones anal\u00edticas, autoconscientes y cosm\u00e9ticas<\/em> <\/em><\/strong>[3\/4] Three Rooms – Space. Cordoba Argentina.
>(2012) <\/em><\/strong>Consideraciones M\u00f3viles.<\/em> Curator Pablo Vinet, Gabriel Gutnisky and Cecilia Irazusta. Genaro P\u00e9rez Municipal Museum. Cordoba Argentina.
>(2012) Biennial Imgen en Movimiento.<\/em> Selection for the Norberto Griffa Award. San Mart\u00edn Cultural Center. Buenos Aires, Argentina.
>(2012) International Festival of Video Art (FIVA)<\/em>. Jorge Luis Borges Room, National Library. Buenos Aires, Argentina.
>(2012) The democratizing illusion.<\/em> Video-art protest Colombia-Argentina. The Paternal. Curator Luis Saray. Buenos Aires, Argentina.
>(2011) 34 Ladrillos International Film Festival. <\/em>Curator Diego Pi\u00f1eros Garc\u00eda and Paola Michaels. Villa de Levya, Colombia.
>(2011) Aplastar la Utilidad.<\/em> Pertenencias Cycle. Selection. House of Culture, National Fund for the Arts. Curatorship Carina Cagnolo, Andr\u00e9s Labak\u00e9 and Fernando Farina. Buenos Aires, Argentina.
>(2011) Cinema of Biographies of Artists.<\/em> The Seventh in the Caraffa. Emilio Caraffa Museum (MEC). Cordoba Argentina.
>(2011) I Drawing Room<\/em>. Bonfiglioni Museum. Villa Maria, Argentina.
>(2010) 2nd Video meeting designer<\/em>. Designer Office. Curator Diego Pi\u00f1eros Garc\u00eda. Buenos Aires, Argentina.
>(2010) Documentary and Video Series<\/em>. Contemporary Cali (CALO). Curator Diego Pi\u00f1eros Garc\u00eda and Yohana M. Roa. Cali, Colombia.
>(2010) Social Video IV. <\/em>Bogot\u00e1- C\u00f3rdoba Video Art Series. Curator Diego Pi\u00f1eros Garc\u00eda. House13. C\u00f3rdoba Argentina.
>(2010) \u00bfArt\u00edsticidad?<\/em>, Underground of the Argentine Pavilion. C\u00f3rdoba Argentina.
>(2010) Atico, Drawing<\/em>. Hijos del Rey Showroom. Cordoba Argentina.
>(2009) Nada parecido a un Eden<\/em>, Chile-C\u00f3rdoba Video Art Series. Curator Nancy Mansilla. CePIA. Cordoba Argentina.
>(2009) Nada parecido a un Eden<\/em>, Video Art Series, Curator Nancy Mansilla. Espacio G. Valpara\u00edso, Chile.
>(2009) Clinical video-art<\/em>. Chateau Carreras Center for Contemporary Art. Cordoba Argentina.
>(2008) IV Small Format Visual Arts Salon<\/em>. Emilio Caraffa School of Arts. Cosqu\u00edn, Argentina.
>(2007) Representation System<\/em>. Art Gallery of the Argentina-Ciudad Universitaria Pavilion. Cordoba Argentina.
>(2007) Mimesis<\/em>. Argentine British Culture Association. Cordoba Argentina.
>(2006) Techniques and Materials of Engraving<\/em>. Underground Pavilion Argentina-Ciudad Universitaria. Cordoba Argentina.
>(2004) Cinerea Art Workshop<\/em>. Coordination Daniela C\u00f3rdoba. Santa Mar\u00eda de Punilla, Argentina.<\/p>\n\n\n\n
> (2023) R.A.R.O. Barcelona. Cataluyna.
>(2013) Foreplay.<\/em> Coordinated by Forensic Curatorship and NoM\u00ednimo. Guayaquil, Ecuador.
>(2019) Al zur-ich.<\/em> Quito, Ecuador.<\/p>\n\n\n\n
>(2016) Episode 1 \/ Season 3. Pera de Goma. <\/em>Co-curator with Jorge Sep\u00falveda T .. Montevideo, Uruguay.
>(2013) Limbo.<\/em> Art Market \/ EGGO 2013. Galleries Art Fair. C\u00f3rdoba Argentina.
>(2012) Arte Avanzado.<\/em> Museum of Fine Arts Emilio Caraffa. Project selected in the CePIA Curatorial Projects call. Co-curator with Manuel Molina, Juan Gugger and Paz Chasseing. Cordoba Argentina.
>(2012) .ciclo.nocturno.video.arte. <\/em>2nd Encounter of Visual Arts [Contemporary possibilities and potentialities of the landscape genre]. Santa Mar\u00eda de Punilla, Argentina.<\/p>\n\n\n\n
>(2021) Fondart Regional – Maule, Chile. Publicaci\u00f3n y difusi\u00f3n del Libro Incerteza e Interpelaci\u00f3n – Poder popular. <\/em>
>(2015) Fondart Regional – Maule, Chile. Publicaci\u00f3n del Libro Residencias de Arte SOCIAL SUMMER CAMP – Villa Alegre, Chile.<\/em>
>(2013) CURADOR \/ CBA 2013 Award<\/em>. Art Market \/ EGGO, Interior Galleries Fair of the Country. Cordoba Argentina.
>(2012) Latin American Thought Research Grant.<\/em> Ministry of Culture of the Province. C\u00f3rdoba, Argetnina.
>(2011) Research Initiation Grant<\/em>. International University Council. CIN. Cordoba Argentina.<\/p>\n\n\n\n